In an unspecified year in the era of the Belle Epòque, a lonesome carpenter is standing in an inn near Paris. He is raptured by the beauty of a blonde woman, who is dancing with another man. The two lock eyes: as she dances, she glances at him with a playful smile and he smiles back. This is the opening of Jacques Becker's Casque d'Or , a film bursting with erotic flame from start to finish. Georges Manda, the carpenter, is an ex-convict who has decided to start his life over. He is played by Serge Reggiani in a sublime, largely silent portrayal of quiet strength, subtle warmth and profound dignity. Marie, the woman, is a prostitute under the protection of a local criminal named Roland (William Sabatier, effective at portraying his character's vile, pathetic nature). She is played by Simone Signoret, whose incandescent, rightfully iconic performance earned her a well-deserved BAFTA for Best Foreign Actress. Roland becomes jealous of the growing attraction between ...
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